
Acceptable in your 80s: first monograph and a London show for octogenarian sculptor
The Art Newspaper
11th January 2019
Tag:
Paul de Monchaux, Volutes
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Critics’ Choice: Peter Darach
Financial Times, Jackie Wullschlager
4th November 2017
Tag:
Peter Darach
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Fresh twist: the spiralling images of a rediscovered painter
Financial Times, Jackie Wullschlager
21st January 2017
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The Buck Stopped Here: London exhibitions
The Art Newspaper, Louisa Buck
10th January 2017
Tag:
Paul de Monchaux, Ten Columns
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Art and humanity in the work of Paul de Monchaux
Apollo, Maggie Gray
9th January 2017
Tag:
Paul de Monchaux, Ten Columns
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The creative process behind Ten Columns, interview
It's Rude to Stare
5th January 2017
Tag:
Paul de Monchaux, Ten Columns
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Review: Ten Columns
Studio International, Matthew Rudman
20th December 2016
Tag:
Paul de Monchaux, Ten Columns
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Paul de Monchaux’s architectural sculptures embrace the body
Wallpaper*, Charlotte Jansen
20th December 2016
Tag:
Paul de Monchaux, Ten Columns
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Frieze week highlights: Francis West
Apollo, Maggie Gray
24th September 2016
Tag:
Francis West, Orion Stumbles
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REVIEW: Worlds of possibility: abstraction is back and female artists are in the vanguard of the revival
The Sunday Times, Waldemar Januszczak
12th June 2016
Tag:
Dark & Light, Tess Jaray
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Review: Tess Jaray ‘Dark & Light’
Studio International, Matthew Rudman
3rd June 2016
Tag:
Dark & Light, Tess Jaray
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New space: Tess Jaray’s colourful works at the relaunched Megan Piper in London
Wallpaper*, Anna Brady
20th May 2016
Tag:
Dark & Light, Megan Piper, Tess Jaray
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Megan Piper interview with Plinth
Plinth, Emily Watkins
17th May 2016
Tag:
Dark & Light, Megan Piper, Tess Jaray
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RA Recommends… Tess Jaray: Dark & Light
Royal Academy
13th May 2016
Tag:
Dark & Light, Tess Jaray
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Megan Piper and the young gallerists making their mark on London
Apollo, Anna Brady
10th May 2016
Tag:
Dark & Light, Megan Piper, Tess Jaray
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Along London’s ‘other river,’ an art walk brightens the scenery
The Washington Post, Siobhan Starrs
30th July 2015
Tag:
The Line
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